All My Sons

Written by: Arthur Miller
Directed by: Oánh Nguy?n

Recommended for Ages 15+
Run Time: 2 hours and 25 minutes, including one 10 minute intermission.

We have Free Special Events Following These Shows:

Monday, March 9 at 8:00pm - After Words: A casual post-show discussion with Artistic Director Nike Doukas, exploring how the show resonated, raising new questions, and continuing the conversation.

Monday, March 16 at 8:00pm - Meet the Artists: A post-show conversation with the actors, where they share insights, behind-the-scenes stories, and answer your questions.

"There’s a universe of people outside and you’re responsible to it."

Arthur Miller’s All My Sons is a gripping drama about family and morality. In the aftermath of World War II, the Keller family’s fragile happiness is shattered when long-buried secrets force them to confront the consequences of their choices.

Directed by Oánh Nguy?n, this timeless classic delivers an unflinching look at love, sacrifice, and the price of the American Dream.


Content Advisory—This performance contains some loud sound effects and bright lights.

To see the full content advisory, Click Here. Please note, major plot points will be revealed in the full content advisory.
If you're looking for the Artistic Director and Director's thoughts about All My Sons, please see the program notes.



Proud Partner Of:

Any teenager (13-19 years old) can sign up for a FREE Teen Tix Pass. The pass entitles them to purchase $5 show tickets to any of Teen Tix’s partner organizations. 

For more information, please visit la.teentix.org.

You can purchase TeenTix tickets at Antaeus in two ways:

Advance Sales: TeenTix tickets can be purchased in advance for preview performances (first 5 shows of a run) either in-person when the box office opens or over the phone. In Person (Day-Of): Tickets can be purchased in-person when the box office opens 1 hour before for regular season performances.



Enjoy a special All My Sons-inspired cocktail at our neighboring bar, The Famous, crafted to celebrate the show!


The Famous
154 S Brand Blvd
Glendale, CA 91204

"Under new ownership, we are Glendale’s favorite neighborhood bar - featuring craft cocktails, eclectic wines, local beers, and a bevy of nonalcoholic options. With themed nights nearly every day we are open (Tuesdays - Sundays), we’ve got something for everyone. Asian and female-owned since 2024. We are honored to support The Antaeus Theater Co in their upcoming production. Come in for the All My Sons"

Cast

At ANTAEUS: Eight Nights, Macbeth, ClassicsFests: Heartbreak House, The Matchmaker, Hay Fever, Blithe Spirit.  She has worked extensively Off-Broadway and Regionally. Her favorite classical roles include Lady Utterword in Heartbreak House (Hartford Stage); Margery Pinchwife in The Country Wife and Lydia Languish in The Rivals (The Shakespeare Theatre in Washington D.C); Viola in Twelfth Night (Utah Shakespearean); and Myra in Hay Fever (Westport).  She has created and premiered many new roles including Neil LaBute’s How To Fight Loneliness,  Lucy Thurber’s Killers and Other Family, Annie Weisman’s Hold Please, Rajiv Joseph’s Mr. Wolf, Richard Greenberg’s Everett Beekin, Dael Orlandersmith’s  Bones,  as well as Trainspotting (Player’s Theatre.) The Roommate, Mr. Wolf, Absurd Person Singular, Becky Shaw, Crimes of the Heart, Lobby Hero,  among many others (South Coast Repertory).  Her voice is heard regularly on commercials, video games, podcasts, and audiobooks. TV credits include The Affair, Modern Family, I’m Dying Up HereShameless, Law & Order(s), ER, Boston Legal. She is also a coach, teacher, and mother. tessaauberjonois.com
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Antaeus Theatre debut. Other Theater: A Christmas Carol (A Noise Within Theatre); Macbeth (A Noise Within Theatre). Other: Bubbles short film; Create Your World (Disney); Bon Iver Day One music video; Habibi Baba Boom VO (Disney); Thready Bear VO. Commercials: Volkswagen; Walmart; Sandisk; among others.Brooklyn is thrilled to be joining the cast of All My Sons and is grateful to Antaeus Theatre for the opportunity to work alongside such a talented cast. She would like to thank her teacher, Mr. Fiorillo for sparking her love of performing, and Nathan Graham Smith, her inspiring theater coach, for continued guidance and encouragement. Brooklyn also extends heartfelt thanks to her amazing teams at DDO and Ivy Artists Management and finally to her parents for their constant love and support. Outside of theater, Brooklyn enjoys reading, dancing, and playing basketball and volleyball.

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At ANTAEUS: The Crucible, Top Girls, Uncle Vanya, Diana of Dobsons, The Winter’s Tale. Other theatres (select): La Mirada Theatre, L.A.T.W., EST/LA, New Canon Theatre Company (Monterey), Book-It Rep (Seattle), Harlequin Productions (Olympia), MainStreet Theatre, Will Geer Theatricum, and the Odyssey Theatre Ensemble, where Shannon recently performed in the American premiere of the new musical Bluebeard’s Castle. Film credits include The Dangle (Best Short at the CA International Film Festival), The Unknown, and the upcoming shorts Seasons and When You Sleep. As a writer, Shannon has made the Top 50 List in the Nicholl Screenwriting Competition and been a finalist for fellowships from Stowe Story Labs, among others. Thanks to years spent living an alternate life at sea, Shannon holds a Merchant Marine license from the U.S. Coast Guard. Education: LAMDA and Princeton University.
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Los Angeles: Everybody, Zip Code Plays - 91505: Burbank "True Sound" (Antaeus Theater Company); August Wilson's "Seven Guitars'' (A Noise Within);  Beloved, At The Table (Stage Raw- Best Ensemble and Best Actress Nomination), Friends with Guns, Through the Eye of a Needle (The Road Theater)The Mountaintop (Garry Marshall Theater). Selected NY CreditsThe Tragedy at Hood 14542: Hooksickle (International Fringe Festival), Ida B Wells: A Play in Four Parts (Afrikan Woman’s Repertory), Taming of The Shrew (Pulse Theater Ensemble), Timon in Athens (George Bernard Shaw Theater – UK). TV/Film: Black-ish, Jane the Virgin, Pearson, Criminal Minds: Beyond Borders, and Jimmy Kimmel Live! Training: B.A. New York University’s Tisch School of the Arts; Classical Acting – Royal Academy of Dramatic Arts (RADA) in London; Member: AEA, SAG-AFTRA. www.cherishmonqiueduke.net
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Bo Foxworth*

JOE KELLER
Bo has been a proud member of Antaeus for a decade now appearing in productions of Measure for Measure as Lucio/Juliet, Cloud 9 (LADCC and Stage Raw Best Actor Winner), Henry IV, The Liar, The Crucible (Ovation nomination), the title role in Macbeth, The Seagull and The Malcontent. Other LA theater includes Benedick in Much Ado About Nothing with SOC and Arthur Miller’s The Price at I.C.T., Henslowe in Shakespeare in Love at South Coast Rep, King Charles III at Pasadena Playhouse and Building The Wall at the Fountain Theatre. He has also worked at The Skylight Theatre, Ensemble Theater Company, La Mirada, Laguna Playhouse, The Geffen, Disney Hall, LATheatreWorks, Theater @Boston Court, The Hollywood Bowl and A Noise Within where he received two Ovation nominations. He has worked in numerous theaters in NY including a year in the Off-Broadway Way hit As Bee’s in Honey Drown at the Lucile Lortel. He has appeared in regional theatre’s through out the country including The Long Wharf, Yale Rep, The Shakespeare Theatre, Vienna’s English Theatre, Baltimore Center Stage, The Old Globe and many others. He has numerous film and television credits including Modern Family, VEEP and the HBO movie All The Way starring Bryan Cranston. He is a graduate of UCLA and received his Masters at Yale School of Drama.
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Matthew is honored to be a member of Antaeus Theatre Company. Big thanks to everyone here for being such terrific Mentors! At ANTAEUS: The Cripple of Inishmaan, Native Son and several ClassicFests. Other Theater includes: District Merchants, Tales of a Fourth Grade Nothing and the NewSCRipts workshop of Origin Story (South Coast Repertory); Native Son (Kirk Douglas Theatre); Arsenic and Old Lace (La Mirada Theatre); The City of Conversation, Women In Jeopardy, Good People (Ensemble Theatre Company); A Moon for the Misbegotten (Rubicon Theatre); Stupid F*cking Bird, Bad Jews (Stage West); Spinning Into Butter, Rabbit Hole (Actor’s Co-op); Friends Like These (NY International Fringe Festival). Readings/Workshops include: Laguna Playhouse, Wallis Annenberg and Pasadena Playhouse. TV: Westworld. Also interested in writing, his first play Granite was work-shopped at Joan Scheckel’s Collective Loft. For Dad always.
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Bryan Keith*

DR. JIM BAYLISS

An ABC Disney Television Discovers Showcase Alum. Recently directed the L.A. Premiere of Pipeline (Harold Clurman Lab Theater at The Art of Acting Studio)., earning two L.A. Drama Critics Circle Award nominations, and winner of Stage Raw’s Best Ensemble award. Acting:TV/Film includes Agents of Shield, Shooter, The Mick, Days of Our Lives, Dedication (Cannes Film Fest.) Recognition (LA Shorts International, Chelsea & Catalina Film Festivals) Becoming (Lakeview International Film Fest.) Theatre credits (selected): Down the Road (LA), Medal of Honor Rag (STL Actors Studio), Title role of Hamlet (St. Louis Shakespeare), In the Blood (Hotcity) Cobb (Hotcity). Directing credits (selected): Thom Pain (based on nothing) Hollywood Fringe, Don’t Touch My Hair (formerly Invisible) by Douglas Lyons (IAMA Theatre New Works). We Are Proud to Present..(Third Culture Theatre Co.), Dutchman (Leo Rising Theatre Co.), Keely & Du (HCLAB). Other dir. credits: Still Life, Last Days of Judas Iscariot, MF’er with the Hat, Intimate Apparel, A Raisin in the Sun (STL). 

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AT ANTAEUS: All My Sons (debut). Stage Credits: The Winter’s Tale (Mamillius)- Skylight Theater (2025), Seussical Kids (Marshall) - Pasadena Playhouse (2025), The Tomb Staged Reading (Ahyam) - Long Beach Shakespeare Company (2025), Noye’s Fludde (Littlest Mouse) - LA Opera (2024), A Christmas Carol (Tiny Tim) - A Noise Within Theater (2023, 2022, 2021), A Midsummer Night’s Dream (Changeling Child) - Theatricum Botanicum (2022, 2021, 2019) Film/TV Credits: Disney’s “Reimagine Tomorrow Campaign”, Ravi – “Bhangra Baby” (short film), Chad - “Marriage and Monsters” (pilot). Aarush is the recipient of the 2021 TicketHoldersLA New Discovery Actor award. In addition to Acting, Aarush holds his green belt in Kenpo Karate, is a tap dancer with Sole Talk International Youth Tap Dance Ensemble (Chloe and Maud Foundation), and plays the piano. Aarush would like to thank his family, his reps, Antaeus and the cast/crew for all their support. Instagram: @officialaarushmehta

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Erin Pineda*

LYDIA LUBEY
AT ANTAEUS: As You Like It, Love & Information, The Tempest; Other credits: Alabaster (The Fountain Theatre), Life Sucks (Interact Theater Company), Worst Laid Plans (Upright Citizens Brigade, co-creator), My Break-Up Playlist (Rogue Machine Theatre, writer/performer), Bunny Bunny (The Garry Marshall Theatre), The Glass Menagerie (Ensemble Theatre Company), and Neil LaBute’s Filthy Talk for Troubled Times (UK premiere). Film and TV credits include: Recurring role in Physical (Apple TV, Seasons 1, 2, and 3), Good Trouble (Freeform), Grace and Frankie (Netflix), American Princess (Lifetime), and No Activity (Comedy Central). Other credits include: Chad (TBS), Happy Endings (ABC), American Housewife (ABC), Magnum P.I. (CBS), Homecoming (Netflix), Here Comes the Bride (Lifetime), NCIS: LA (CBS), Criminal Minds (CBS), and Comedy Bang! Bang! (IFC). Training: BFA from NYU’s Tisch School of the Arts; The Meisner Studio; Experimental Theatre Wing; and the Royal Academy of Dramatic Arts.

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At ANTAEUS: The Importance of Being Earnest, All My Sons. OTHER LA THEATRE CREDITS: Rosencrantz and Guildenstern are Dead (A Noise Within), Jacques Brel is Alive and Well and Living in Paris (The Odyssey), A Christmas Carol (A Noise Within). Michael recently worked on the HBO Max series Hacks. He is a graduate of USC's School of Dramatic Arts and The Second City Conservatory program.

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Johnny is a graduate of the Stella Adler Studio of Acting and holds a B.A. in Theatre and Arts Management from the University of Wisconsin–Green Bay. He has appeared in over 60 stage productions across Off-Broadway, regional theatre, and Los Angeles. His Off-Broadway credits include Our Town (Harold Clurman Lab Theater), The Third Step (ATA), Mismatched.com (Manhattan Repertory), and Stain (developmental reading, Roundabout Theatre Company). In Los Angeles, his performances include Thom Pain (based on nothing), Enron, Henry VI, Part 1, The Fifth of July, and Blue Window. Additional stage credits include Rocket to the Moon, Waiting for Lefty, The Laramie Project, A Midsummer Night’s Dream, and A Funny Thing Happened on the Way to the Forum. His television credits include Law & Order (NBC), CSI: Los Angeles (CBS), Chicago Fire (NBC), and Anyone But Me (Amazon Prime). He is a member of SAG-AFTRA, Actors’ Equity Association, and SDC.

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Production Team

Oánh Nguy?n*

Director

Fred Kinney*

Scenic Designer

Andrew Schmedake

Lighting Designer

Wendell Carmichael

Costume Designer

Jeff Gardner*

Sound Designer
At ANTAEUS: King  Lear, Macbeth, The Liar, ClassicsFest 2010-11; The Tempest (A Noise Within); Hamlet (The Globe Playhouse); Little Women (Kennedy Center, National Tour); Skylight (The Studio Theatre); Becket (Olney Theatre Center; Henry V with Harry Hamlin , Henry VI (parts I-III)  and Measure for Measure with Kelly McGillis (The Shakespeare Theatre);  The Seagull with Gwyneth Paltrow and Christopher Walken, Our Town with Calista Flockhart and James Whitmore (Williamstown Theatre Festival). Film: J. EdgarLifeformFall TimeThe Hollywood Sign, and Species 2. He has also toured Fringe Festivals with his award winning one-man show, Kill Your Television. Jeff has sound designed numerous productions at Antaeus including Wedding Band and is the resident foley artist at L.A. Theatre Works.

John McElveney

Props Designer

Shinshin Yuder Tsai

Assistant Director

Talya Camras

Production Stage Manager

Jessica Osorio

Assistant Stage Manager
*member, Actor’s Equity Association, the union of professional Actors and Stage Managers in the U.S. This production is presented under the auspices of the Actors’ Equity Los Angeles Membership Company Rule

"explosive... highly recommended."

Carol Germain, Colorado Boulevard

"...remarkably powerful revival"

Don Shirley, Angeles Stage

"director Oánh Nguy?n helms a moving production..."

Elaine Mura, Splash Magazines

"top-notch cast... riveting action"

G. Bruce Smith, Stage Raw

"knock-out performances"

Imaan Jalili, LAexcites

"gripping Antaeus revival..."

Judson Feder, Stage and Cinema

"So magnificent...a must-see among must-sees."

Steven Stanley, Stage Scene LA

 "one of Miller’s best plays, and this Antaeus production makes it shine."

Terry Morgan, ArtsBeatLA

"... stellar cast and world class design"

Travis Holder, TicketHoldersLA